I. Photos in information design must be clear, this includes:
- be in focus
- have a focus with the correct amount of detail
- have meaning
- show what you're telling
- tell what you're showing
- appear close to where you talk about them
- point readers into the text
- Informative pictures are shot well, crisp, and produced in high resolution.
- There must be contrast that supports the focal point.
- Edit the photo to include no more or less than the reader needs.
- Limit the information so the reader can quickly understand without being bombarded with information.
- Make sure the photo keeps its story, cropping out what is needed to help get the point across without the reader becoming distracted.
- Do not include elements in the foreground or background to compete with the focal point.
- Make it a strong focal point!
- Puffed-up documents hide the lack of good ideas.
- It is safer to go with a structured proposal with clear and meaningful images and tightly edited text.
- If this is not done, than it can plague the intended message you're trying to get across.
- Because all western languages look alike, it would be beneficial to use a picture that can illustrate meaning in a glance to speed things up.
- Include captions, labels, and titles that connect the picture, and the reader, to the text.
- Instead of just writing a name under a photo of someone, tell why the reader is looking at that person and why they are important.
- Most pictures and photos need captions because of their high visibility, get peoples attention, and tell the story.
- Include no illustration that doesn't extend the information in print and no print unless it further explains an illustration.
- Pictures have to extend words, nothing is just illustrated.
- Place connecting issues on the same spread so the reader can connect related info.
- If unable to, provide enough info in the caption to satisfy readers where they happen to be, and point to the text's location.
- Some photos and drawings have an inherent direction, favoring one side.
- Place directional photos so they point toward the text, not off the page. The eye tends to follow the direction to its natural conclusion.
- Two Gestalt principles that apply are: Common fate and Good continuation.
- Common fate - people see elements going in the same direction as being related. That suggests enough awareness of a perceived direction to follow it.
- Good continuation - people see elements that are arranged in a line as a group, even if the line contains gaps. That suggests they'll mentally fill in the gap between a direction and its object.
- Flop - turning the negative around to make it point in the opposite direction.
- Some photos cannot be flopped from reasons of organizations' strict photo-accuracy policies or those that suffer from a direction chance such as a military insignia, police badge or anything with type.
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